Friday, July 27, 2012

In Honor of My Mother

When asked to write about my mother, objective:

I, Shinay Tredeau, am presenting to the witnesses present, my uncensored observations of my mother, Rabia Tredeau (formerly Jean Mary Tredeau), and my relationship with here. I intend no judgement on her life.

Physical: 5'2", round face, prominent cheek bones, freckles, greying brown hair. Brown eyes, soft skin, big toes that turn in like mine.
I've never asked my mother if she wanted kids, yet I do know that neither my sister nor I were "planned."
My mother sacrificed her personal life for my sister and I.
I cannot begin to know what challenges my mother encountered raising children in community. I do know she sacrificed her relationship with her own mother and sisters to offer me and my sister an opportunity for a different kind of life.
M mother has fought battles for me, she has yelled and cajoled on my behlaf.
She has lied and coerced and gotten pretty damn fierce in order to serve her children.
I remember my mom yelling, "Calm the energy down!" as I tried to nap in the next room from where the older kids were rough-housing.
Sometimes I take my mothers live for granted.
I have said things to intentionally hurt my mom, knowing her so well I know what will hurt the most.
My mom's defense is to turn and run away from uncomfortable situations.
She cries easily.
She likes to laugh loud and when we're in the movie theaters together we can be heard clear back to the last row of seats.
She told me once that she used to practice smiling.
My mom tends to shy away from things that don't "feel" good.
My mom loves children and sweet things.
She never learned to cook very well.
My mother used to call me her Little Imp, her mischievous child.
We used to fight a lot; I remember yelling so loud the police came. This embarrassed her a lot and secretly pleased me to know I'd made her uncomfortable.
At 24, I feel like I could tell my mom anything and she wouldn't judge me.
I know that by doing things which I love to do, this influences my mother, it makes her proud to know she has brought someone so bright into this world.
My mother calls me fearless, and I know this quality she admires.
I am still learning not to take my mother's negative moods personally (or positive moods for that matter).
I remember the day I started to relate to my mother as another human being independent from only "my mom."
The only time I ever saw disappointment on my mother's face over/regarding something I'd done is when I lied to her in high school. In that moment, I disrespected her Trust, her wisdom, and her Divine nature.
I think my mother is one of the most beautiful people I know.
My mother doesn't life, but tends to fabricate stories. 
I can now say "no" to my mother without her taking it personally.
There was one time in my life when I was sure my mom and dad were going to separate. Now I know that if they do, it's not my fault.
I think my mom likes my boyfriend because he reminds her of my father when my father was young. I like that.
My father has never hit my mom.
My mother has never hit my father, although she slaps him with her words and he sits there, like a rock, taking it until the storm of her emotions pass. He knows it's not his job to change her.
When my parents hug it is so tender and sweet.
I've come to know strength and independence from my mother—she is not attached to my father—their love knows no bounds.
My mother is extremely insecure.
My mother loves children I know I've said this already, but it's worth repeating).
I've learned to love the man in my life like my mother loves my father; strongly, with passion, independent of needing them by my side all the time, trusting them, trusting my heart to lead me in the right directions.
Often all I have to do is think about my mom and 30 seconds later she'll call me up on the telephone.
I am proud of my mother when she lets go of her fear and speaks her mind.
My mother disappointed me when she got out of the care when I was three-yers-old, and left me, my sister and my father waiting in the car in the gas station parking lot.
I am most critical of my mother when I know she's being small, being afraid, and not being bright.
She is most critical of me when I am impulsive and don't think things through.
I can most rely on my mother for unconditional love no matter where I am on the planet.
She can most rely on me for my honest and sincere opinion. I am also pretty good at telling her stories that makes here laugh and sometime cry (in a good way).
I am in denial about my mother getting older.
I don't want to think about taking care of her in old age. I dread the day of her death, and I'd rather not think about it... AND I'm beginning to realize the great eminence and inevitability of it. C'est la vie.
I tend to get angry and run away, just like my mother. I also tend to worry, just like her, although not as much.
I know I am capable of loving like my mother.
My mother keeps the check book and the cash.
I think I'll do the same.
My mother didn't change her last name.
I think I'll do that same.
My mothers isn't afraid to talk about sex, encouraged me, in fact, to have more of it!
My mother likes creamy, rich food, and told me once she likes the way carbs taste in her mouth.
We like to take walks together.
My mother likes to spend time alone.
I can tell my mother is content when she gets a mood of stillness and quiet ease about her accompanied by a serene look on her face—fulfillment. I sense this in her because it is in me too.
My mother likes to be eccentric and silly. This used to drive me crazy and embarrass the hell out of me. Now when we go out, we'll dress up for each other, her in her sparkly shoes, me in flashy pumps and we'll both wear scarves. Drinking wine or tea or whenever the occasion calls for, well talk and laugh rally loud not caring who hears or who minds.
My mother's most valuable legacy to me is her strong teeth, her ability to Trust the Divine Process, to love unconditionally, to listen to nature and children, and love her husband even over great physical distances.
Her most troublesome legacy is varicose veins, sensitive skin, and a hot temper.
I have created healing in my relationship with my mother by honoring our differences and accepting our similarities; by honoring her as a human being, as a woman, as a friend independent from being only my mother.
I have learned to trust her wisdom and ask for her objective guidance. (She likes to be used as most elders so).
I know that no matter the physical distance, her and I we are connected. I call her love into my being. In fact, just this afternoon I got a voicemail from her. When I called her back 18 seconds later, she said, "I just tried to call you."
"I know," I replied, "and I was trying to call you at the same time."

Thursday, June 28, 2012

Orange to Avignon


Oh Geeze!

So, I haven’t been writing. It’s like this, and a little like that, and well, I just haven’t done it. I’ve either eaten too much cheese, or got high on lavender, or just can’t keep my eyes open to write down what’s really been happening.

My days are filled with the delight of a child not my own. Who has accepted me into her world in a way I never thought was possible. Living in community with close friends is a privilege and a blessing that comes in all forms. Keep in mind that “Ram does everything for the best.” Whatever that means, you meaning making machines. And I don’t want no superficial conversations so let’s get Real and lay our hearts out on the table.

Tart with corgette and goat cheese.
Tabouli salad made with quinoa, corgette, tomato, onion, grated carrot, and a little sel de mere.
Potatoes of the red variety cooked for 30 minutes and then left in the pot with the lid on but the heat off for an hour (because we forgot about them). Serve with butter and sel de mere.
Try mint tea with raw sugar instead of honey.
Ask for help and forgiveness although some people don’t take apologies as anything, they need action.
I like to be listened to.
If I’ve forgotten my manners or how to breathe, I simply have to start someplace, and authentically telling someone I love them is a good place to start.
I love you.

Today we went to Orange and Avignon.
Sur le pont d'Avignon
L'on y danse, l'on y danse
Sur le pont d'Avignon
L'on y danse tous en rond

Walked through the Pope’s room in the old chapel, with blue and gold fresco on the walls. Held my breath. Climbed a tower in the Pope’s chapel this afternoon and felt like Rapunzel, just with shorter hair.

Wednesday, June 13, 2012

The French. There's something about the way the like their cheese, their bread, their wine, and their art. I just don't have the vocabulary or the patience, at midnight, to try and describe it all with eloquence and and reverie so I'll leave you with the taste of an this evening, and outing to an artist's exhibition of original art to benefit a local charity:

"Magda, what kind of shoes are you going to wear this evening?" I called to my friend from the bottom of the stairs.
"High hells!" She tell me.
Okay, I think, I will too. Every girl gets a better idea about the kind of evening by the kind of shoes one wears. I run back upstairs and slip on my grey pumps I "borrowed" from a friend before I left the states. I say borrowed because she doesn't actually know I have them, until now.
We load into the car, three adults and one baby a year and a half old. On the 30 minute drive we try and keep her awake by playing music and clapping, tapping on the roof and singing songs. If she naps now she won't go to sleep until far too late—the things I'm learning about being a parent is incredible.

We arrive. We know it's the spot because people are pouring out into the side walk. The place is an open garage next to a restaurant in the train station district. Funky red and black eclectic decor yields an artsy crowd and I feel I can fit in amongst this type. Cigarette smoke makes my nose tingle and perfume spices the evening air. After observing from the street for a while, we push our way through the crowd and see our friends at the back. Making our way around to where they stand we find a corner in the crowded room to try homemade patte, quiche, torte, and for dessert, a French specialty, a cherry cake made with whole cherries. The wine was free and so was the live music with a great brass section. There's nothing that looks better on stage than a good saxophone player.

The best part about the evening was that each artist had several smaller renditions of their larger works for sale for 10euros each. Even though I didn't get my hands on an original, I'm inspired to have an opening for all of my artist friend back home. Look out Prescott, Arizona because you don't know what's comin' your way!

Tuesday, June 12, 2012

6 eggs, separated and whites beaten until firm.
12 ounces (340 g) bittersweet chocolate, coarsely chopped and melted in double boiler.
12 tablespoons (6 ounces, 170 g) unsalted butter cubed, to add to the chocolate after removed from heat.
1/4 cup sugar, half added to egg yolks and half to egg whites after being beaten. Then beat eggs again.
1/3 cup (80 ml) rum or other liquor.  
9" pan, greased.
Preheat oven to 325ºF (165ºC), bake for 40-45 minutes, and you'll get something that looks like this and tastes like you wouldn't believe. Serve with fresh strawberries and or water melon and eat for dinner!





Sunday, April 15, 2012

On Closure

I’ve been working with the concept of closure. It started with my writing professors—one of them keeps telling me I’m sloppy with my ending, I need to pay closer attention, and finish strong, I can’t just leave my readers hanging without hope or something to hold onto, to transition them away. (My words)

I’ve been thinking lately though, that closure is not finite, for me nothing really ends. There are periods of transition, sure, but ending, finish, final, closure—there always seems to be something that leads into the next thing. My yoga teacher says, “Finish one thing the way you want to start the next.” I’m not sure I know how to do this.
But I do know that death is the only real closure I get in this lifetime. It’s not something to be feared or to worry about; the notion of death is simply a transition time, for the next thing, moving forward.

After a glass of wine with mom the other evening, and having our conversation lead to God and death and children as it does occasionally, she helped me to realize that perhaps the karma we incur in this life is not really for later in this life, or even in the next “life,” but rather it’s a protective force in the times of transition between life and death. It’s in the bardo that we need our karmic points the most. The Tibetan word, bardo, literally means interval or gap—I came to the conclusion that it’s important to gain merit (good karma) in order to fend off lingering daemons we may encounter during this period of transition, this gap called death.  

I do not want any daemons from this life in the next, that’s why this closure must start with paying off my library fines. $19.57.